Preity G. Zinta (pronounced \”priti za;\” born January 31, 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se in 1998, followed by a role in Soldier in the same year.
These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She subsequently established a career as a leading actress in Hindi cinema with a variety of character types.
Her roles, often deemed culturally defiant, along with her unconventional screen persona, have been credited with contributing to a change in the concept of Indian film heroines and winning her several accolades.
Following critically acclaimed roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003).
She starred in two consecutive annual top-grossing films in India, Koi… Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), both top-grossing productions in overseas markets.
For her first international role in the Canadian drama Heaven on Earth (2008), she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with the exception of her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark.
Zinta is also a social activist, television presenter, and stage performer. She wrote a series of columns for BBC News Online South Asia between 2004 and 2005.
She is the founder of the production company PZNZ Media, a co-owner of the Indian Premier League cricket team Punjab Kings since 2008, and the owner of the South African T20 Global League cricket team Stellenbosch Kings since 2017.
Zinta is known in the Indian media for publicly speaking her mind, which has consequently sparked the occasional controversy. These controversies include her being the only witness not to retract in court her earlier statements against the Indian mafia during the 2004 Bharat Shah case, for which she was awarded the Godfrey Phillips National Bravery Award.
Early life and background
Preity Zinta was born on January 31, 1975, into a Hindu Rajput family from Shimla district, Himachal Pradesh. Her father, Durganand Zinta, was an officer in the Indian Army.
He died in a car accident when she was thirteen; the accident also involved her mother, Nilprabha, who was severely injured and consequently remained bedridden for two years. Zinta called the tragic accident and her father\’s death a significant turning point in her life, which forced her to mature rapidly.
She has two brothers, Deepankar and Manish, who are a year older and a year younger, respectively. Deepankar is a commissioned officer in the Indian Army, while Manish lives in California.
Zinta, who describes herself as having been a tomboy as a child, has emphasised her father\’s military background as having given her a lasting impression on how family life was to be conducted. He asserted the importance of discipline and punctuality for the children.
She studied at the Convent of Jesus and Mary boarding school in Shimla. Although she admitted to feeling lonely at the boarding school, she added that she found \”the perfect set of friends\” there.
As a student, she developed a love for literature, particularly the works of William Shakespeare and poetry. According to Zinta, she enjoyed schoolwork and received good grades; in her free time, she played sports, especially basketball.
After her schooling at the Convent of Jesus and Mary, Shimla, Zinta enrolled at St. Bede\’s College in Shimla. She graduated with an English honours degree and then started a graduate programme in psychology.
She earned a postgraduate degree in criminal psychology but later took up modelling. Zinta\’s first television commercial was for Perk chocolates, the result of a chance meeting with a director at a friend\’s birthday party in 1996.
The director persuaded Zinta to audition for the spot, and she was selected. Afterwards, she appeared in other catalogues and commercials, including one for the soap Liril.
Acting career
- See also: filmography and awards.
- Debut and early roles (1998–1999)
In 1997, Zinta met Shekhar Kapur when she accompanied a friend to an audition in Mumbai and was asked if she would audition too.
Upon seeing her audition, Kapur insisted that she become an actress. She was originally scheduled to make her screen debut in Kapur\’s Tara Rum Pum Pum opposite Hrithik Roshan, but the filming was cancelled.
She reminisced about the experience: \”I began to recognise the power of destiny.\” \”I had no intention ever to be an actress.\” Kapur later recommended her for director Mani Ratnam\’s 1998 film Dil Se, a romantic thriller about a terrorist group in New Delhi.
Zinta often recalls that when she joined the film industry, her friends teased her that she would typically \”wear white saris and dance in the rain,\” thereby motivating her to play different parts.
Zinta commenced shooting for Kundan Shah\’s Kya Kehna, whose release was delayed until 2000. The delay of another film, Soldier (1998), meant that her first release was Dil Se, opposite Shahrukh Khan and Manisha Koirala.
She was introduced as Preeti Nair, a middle-class Delhi girl and Khan\’s fiancée. The film was considered an unusual launch for a newcomer, as her role called for only twenty minutes of screen time.
However, she was eventually noticed for her role, particularly for the forthright character she played. Her scene with Khan, in which she asked him, \”Are you a virgin?\” became well-known, and her portrayal earned her a nomination for the Filmfare Award for Best Supporting Actress.
Khalid Mohamed of Bombay Talkies said that she \”radiates confidence and spunk even if she\’s given just scraps of footage.\” The film did not attract a wide audience in India but was the first Hindi film to enter the UK\’s top 10 box office charts.
Zinta\’s second release of 1998 was the Abbas–Mustan-directed action-drama Soldier, one of the biggest commercial hits of the year. She won the Filmfare Award for Best Female Debut for her performances in both \”Dil Se\” and \”Soldier.\”
Zinta next acted in two Telugu films, Premante Idera (1998) and Raja Kumarudu (1999). She followed with the leading role in Sangharsh, a 1999 thriller directed by Tanuja Chandra and written by Mahesh Bhatt. Zinta portrayed Reet Oberoi, a Central Bureau of Investigation (CBI) officer who falls in love with a captured killer played by Akshay Kumar.
Having been impressed with Zinta\’s work in \”Dil Sera (1998) and Raja Kumarudu (1999). She followed with the leading role in Sangharsh, a 1999 thriller directed by Tanuja Chandra and written by Mahesh Bhatt. Zinta portrayed Reet Oberoi, a Central Bureau of Investigation (CBI) officer who falls in love with a captured killer played by Akshay Kumar.
Having been impressed with Zinta\’s work in \”Dil Se,\” Chandra approached her for the part after several leading actresses had refused the offer, which Zinta viewed as an opportunity to expand her range.
Sangharsh was not a box-office success, although Zinta\’s performance received favourable comments from critics. An article published by The Tribune described her performance as \”an amazing act\” in an \”intense film,\” documenting her career path thus far with the observation: \”
She wowed the audiences with her cameo in Dil Se.., then she zapped the viewers with her sensuality in Soldier, and now Preity Zinta is all set to shock everybody with her stark performance in Sangharsh.\” Subhash K. Jha reflected in 2013 that Sangharsh was a rare instance in Hindi cinema where a top male star played a secondary role to the leading lady.
Breakthrough and career advancement (2000–2002)
Zinta\’s first role in 2000 was in the drama Kya Kehna, which exceeded expectations and became a major box office success. The film addressed themes of single parenthood and teenage pregnancy and gained Zinta wide recognition from the public as well as film critics.
Her portrayal of Priya Bakshi, a teenage single mother who fights social prejudice, earned her several award nominations, including her first nomination for Best Actress at the Filmfare Awards.
Anupama Chopra from India Today reported that Zinta belonged to a new breed of Hindi film actors that breaks away from character stereotypes.
Further positive feedback came her way that year for her starring role in the romantic comedy Har Dil Jo Pyar Karega. She next appeared alongside Sanjay Dutt and Hrithik Roshan in Vidhu Vinod Chopra\’s drama Mission Kashmir (2000).
Set in the valley of Kashmir during the Indo-Pakistani conflicts, the film dealt with the topics of terrorism and crime; it was an economic success, becoming the year\’s third-highest-grossing release in India. Zinta\’s role was that of Sufiya Parvez, a TV reporter and Roshan\’s childhood love.
A review in The Hindu noted her for lending colour to an otherwise serious subject matter, and she shared similar sentiments about the character, citing its positive nature within the dark film as having sparked her interest in the part.
Zinta at the audio release of Chori Chori Chupke Chupke in 2001
In 2001, Zinta was paired with Sunny Deol in the action film Farz. Her role was dismissed by critics, and the film failed commercially.
Abbas-Mustan\’s family drama, Chori Chori Chupke Chupke, was released later that year after a one-year delay due to the trial of producer Bharat Shah and opened to a wide audience.
One of the first Hindi films to address the controversial issue of surrogate childbirth, it starred Zinta as Madhubala, a golden-hearted prostitute hired as a surrogate mother.
Initially reluctant to play the part, she eventually accepted it at the directors\’ persuasion and, to prepare for it, visited several bars and nightclubs in Mumbai\’s red-light districts to study the lingo and mannerisms of sex-workers. Reviews of the film were varied, but critics singled out Zinta for praise.
She received a second Best Supporting Actress nomination at the Filmfare Awards for her performance, of which reviewer Sukanya Verma wrote: \”Preity Zinta, who clearly has the meatiest part of all, makes the best of it.\” \”Her transformation from the cocky and unabashed prostitute to a sensitive and warm person is amazingly believable.\”
Two more 2001 releases featured Zinta, Dil Chahta Hai, and Yeh Raaste Hain Pyaar Ke. Depicting the contemporary routine life of Indian affluent youth, Farhan Akhtar\’s coming-of-age film Dil Chahta Hai is set in modern-day urban Mumbai and focuses on a major period of transition in the lives of three young friends (Aamir Khan, Saif Ali Khan, and Akshaye Khanna).
Zinta starred as Shalini, Aamir Khan\’s love interest, who is conflicted about her upcoming marriage to a man she does not love. Dil Chahta Hai was popular with critics, some of whom believed it broke new ground by introducing a realistic portrayal of Indian youth.
It was named the best feature film in Hindi at the National Film Awards and received the Filmfare Critics Award for Best Film. The film was a moderate box office success in India; it performed well in the big cities but failed in the rural areas, which was attributed by trade analysts to the city-oriented lifestyle it presented.
Dinesh Raheja took note of Zinta\’s \”casual and appealing acting,\” and Sita Menon described her as \”beautiful and vibrant, wavering between endearingly naive and confused.\” Deepak Shivdasani\’s Yeh Raaste Hain Pyaar Ke, a romantic drama co-starring Ajay Devgn and Madhuri Dixit, was commercially and critically unsuccessful.
In 2002, Zinta collaborated once again with director Kundan Shah as the protagonist in the family drama Dil Hai Tumhaara, alongside Rekha, Mahima Chaudhry, and Arjun Rampal. She played Shalu, an adopted daughter craving love, a role she identified with due to its rebellious nature.
Billed as a star vehicle for Zinta, Dil Hai Tumhaara did not succeed financially, but her portrayal was uniformly acclaimed by critics, with those critical of the film marking her presence as its main highlight.
Taran Adarsh from entertainment portal Bollywood Hungama noted, \”Preity Zinta, in an author-backed role, steals the show with a sterling performance… \”This is a performance that will undoubtedly earn praise from the junta and critics.\”
established actress (2003–2007)
Zinta was the lead in India\’s three highest-grossing films of 2003: The Hero: Love Story of a Spy, Koi… Mil Gaya, and Kal Ho Naa Ho.
The Hero, co-starring Sunny Deol and Priyanka Chopra, is an action drama about a Research and Analysis Wing (RAW) secret agent on a mission to gather intelligence about terrorist activity from across the border of Kashmir.
Zinta played the part of Reshma, a Kashmiri villager who falls in love with the agent and becomes part of the network. The film, involving stunts never seen before in the cinematic history of Bollywood, became the most expensive Hindi film ever produced at the time.
Despite being the third-highest-grossing film of the year, it was deemed a failure due to its high production costs.She next starred in Honey Irani\’s directorial debut, Armaan; the drama is set in a hospital and follows the travails of its personnel and its principal, Dr. Akash (Anil Kapoor), who struggles arduously to sustain the institution financially.
Zinta played Akash\’s schizophrenic wife, Sonia Kapoor, a role written specially for her and which she considered her best to that point. The film received predominantly positive reviews, and Zinta was particularly praised.
Khalid Mohamed called her a \”peppy scene-stealer, achieving her manic mood swings dexterously,\” and Vinayak Chakravorty concluded, \”As Sonia, Preity takes over the script and, indeed, the film, unleashing a brilliant act as the deceptively bubbly but manipulative wife.\”
For her performance, she received nominations for \”Best Performance in a Negative Role\” at different award ceremonies, including Filmfare.
Zinta is pictured with Saif Ali Khan (left) and Shah Rukh Khan at an event for Kal Ho Naa Ho in 2003.
Rakesh Roshan\’s science-fiction film Koi… Mil Gaya, about a developmentally disabled young man (Hrithik Roshan) coming into contact with an alien, followed. Zinta played the role of Nisha, a young woman whom Roshan befriends and later falls in love with.
She received another Best Actress nomination at the Filmfare Awards for the role, whose portrayal was deemed \”fresh and inspired\” by The Times of India.
The film was a financial and critical success and became the most popular film of the year as well as Zinta\’s highest-grossing film, with a domestic total of 680 million (equivalent to 2.1 billion or US$27 million in 2020). Empire magazine described it as the \”most novel Bollywood movie of the year.\”
It won the Filmfare Award for Best Film, among others, and went on to spawn two superhero films as sequels—Krrish and Krrish 3—making it the first of the Krrish film series, to which Zinta did not proceed.
Zinta\’s final release of 2003 was Nikhil Advani\’s Kal Ho Naa Ho, a romantic drama set in New York City. The film was received favourably by critics and became India\’s second-biggest hit of the year after Koi… Mil Gaya.
It also did well internationally and became India\’s top-grossing film of the year overseas, earning over 750 million (equivalent to 2.3 billion or US$29 million in 2020) worldwide. Zinta played Naina Catherine Kapur, an insecure and angry young Indian-American who falls for a man with a fatal heart disease (Shah Rukh Khan).
For her performance, she received several awards, including the Filmfare Award for Best Actress, the IIFA Award for Best Actress, and the Stardust Award for Actor of the Year – Female.In his review of Stardust, critic Ram Kamal Mukherjee asserted that the film rested \”wholly and solely\” on Zinta\’s \”astounding performance,\” noting that she had \”skillfully handled the hues of the complex character.\”
Derek Elley wrote, \”Zinta, who\’s been carving out a growing following over the past three years or so, has never been better, definitively moving from juve roles to a charismatic young woman with her sexy, assured Naina.\”
In 2004, Zinta played TV journalist Romila Dutta in Farhan Akhtar\’s war drama Lakshya, alongside Hrithik Roshan. The film is based on the historical events of the 1999 Kargil War, and Zinta\’s character is modelled after Barkha Dutt, the only female reporter who covered the conflict.
She called it the toughest film she had worked on and said it made her respect journalists. To provide an accurate portrayal, she watched a number of Dutt\’s television shows and read books on the conflict. The film was a critical success, yet her performance received mixed reviews; Namrata Joshi of Outlook likened her to \”a teenybopper trying to do a TV newsreading skit for her college fest,\” and Rediff.com\’s.
Rajeev Pai observed that despite a good part, she only \”does a fairly decent job of it without ever being spectacular.\” Lakshya failed to attract an audience, grossing 235.6 million (US$3.0 million) against its 330 million (US$4.1 million) budget.
For the lead role in his cross-border romance Veer-Zaara (2004), Yash Chopra was looking for an actress whose \”look and personality could be transformed.\” Having identified this opportunity in Zinta, who was mostly known for playing Westernized characters.
He cast her in the title role of Zaara Haayat Khan, a feisty Pakistani woman whose love story with Indian officer Veer Pratap Singh (Shah Rukh Khan) spans three decades amid trials and tribulations.
Highly anticipated before its release, the film had a strong international release, including a screening at the Berlin International Film Festival, and was named Best Film at major Indian award functions.
With revenues of over 940 million (equivalent to 2.8 billion or US$35 million in 2020), it was that year\’s top-grossing Hindi film both in India and abroad. Zinta\’s part required her to master the fine nuances of the Urdu language.
Though excited at first, she later \”got knots in her stomach\” worrying about her performance, but Chopra assured her.
Her work resulted in a fourth Filmfare Best Actress nomination, among others. Jitesh Pillai wrote of her \”tremendous restraint,\” and Avijit Ghosh of The Telegraph likewise believed she had delivered her most nuanced performance.
Variety hailed her as \”the most interesting young actress of her generation.\” 0 Veer-Zaara was Zinta\’s second highest-grossing film and third major success in two consecutive years.
Zinta starred opposite Govinda in the 2005 folk comedy Khullam Khulla Pyaar Karen, a production that had been delayed since 2002.
The film garnered negative reviews and poor box office returns, and Subhash K. Jha found Zinta\’s work to be incompatible with her screen image and acting style.
00 Critics and moviegoers were more appreciative that year of Siddharth Anand\’s comedy-drama Salaam Namaste, which saw Zinta and Saif Ali Khan as a contemporary cohabiting Indian couple in Australia who dealt with an unexpected pregnancy.
Yash Raj Films1 produced it on a large budget, and it became the year\’s highest-grossing Bollywood production outside of India and overall third-highest-grossing Hindi film, earning 572 million (equivalent to 1.7 billion or US$21 million in 2020).
Zinta received a number of Best Actress nominations for playing the protagonist, Ambar Malhotra, a single modern young woman who leaves India to make her own life in Melbourne and works as a radio host while studying medicine.
Devyani Srivastava of Mid-Day considered the independent, strong-minded character of Ambar to be a rare Hindi film heroine, and Taran Adarsh argued that Zinta had given \”her most accomplished performance to date.\”
11 The New York Times praised Zinta\’s positive personality, which allows her to remain likeable even when her characters exhibit uncharitable traits.1
Zinta at a Jaan-E-Mann promotional event in 2006.
Zinta received further success in 2006, starring in Karan Johar\’s drama Kabhi Alvida Naa Kehna alongside Shah Rukh Khan, Rani Mukerji, Abhishek Bachchan, and Amitabh Bachchan.
The film became one of the biggest box office hits in India, earning 635 million (equivalent to 1.7 billion or US$22 million in 2020) and grossing over 496 million (equivalent to 1.4 billion or US$17 million in 2020) abroad, making it the biggest Bollywood success of all time in the overseas market up until then. It was Zinta\’s fourth overseas top earner in four consecutive years.
Revolving around two unhappily married couples in New York, the film featured Zinta as Rhea Saran, an ambitious fashion magazine editor whose husband begins an adulterous affair with a family acquaintance. 1 She described the part as an attempt to shed her vivacious public image.
Kabhi Alvida Naa Kehna polarised critics, but The Indian Express approved of Zinta\’s effort, noting that she had \”walked with poise, sat with grace, smiled with composure, and spoken with calmness.\”
Other reviews questioned the limited length of her role. 2 In later years, Filmfare and Verve lauded the character for breaking stereotypes of screen portrayals of married women in Hindi films.
Zinta next appeared in Shirish Kunder\’s romantic musical Jaan-E-Mann (2006). She played Piya, the cynosure of two men in the United States (Salman Khan and Akshay Kumar). 2 The film opened to mixed reviews from critics, and its eventual box office profit was poor.
Despite being mostly criticised for taking on a role of minimal importance, she was complimented on her performance and appearance. 22 She said the film was a great relief after the more emotionally intense Kabhi Alvida Naa Kehna, as Jaan-E-Mann was \”easy, happy, and much more simple.\”
Even less successful was her next turn as British Pakistani woman Alvira Khan in her third project with Yash Raj Films, the comedy Jhoom Barabar Jhoom (2007), co-starring Abhishek Bachchan, Bobby Deol, and Lara Dutta.
The film was a commercial failure in India, and critics panned her performance. The Times of India described her as \”too plastic.\” and Rediff.com concluded, \”From accent to emotion, Preity is plain and simple insufferable in this film.\” 3
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