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Pritam Chakraborty (born June 14, 1971), also known mononymously as Pritam, is an Indian composer, instrumentalist, guitarist, and singer.
Early life
Pritam was born in a Bengali Brahmin family to Anuradha Chakraborty and Prabodh Chakraborty. He gained his early training in music from his father and learned to play the guitar while he was still in school.
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- Pritam Residence: Mumbai, Maharashtra
- Pritam Office Address: Not Available
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Stars cannot openly share their contact details etc. for the sake of their privacy. But fans can follow them on their different social accounts to make contact with them.
He went to St. James\\\’ School and has a bachelor\\\’s degree in geology from Presidency College. Pritam was associated with the non-partisan political platform Independents\\\’ Consolidation during his days at the Presidency. Pritam joined FTII, Pune, where he took up sound recording and engineering in 1994.
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Pritam formed a band with his Presidency batchmates called \\\”Jotugriher Pakhi,\\\” for which he used to play the guitar.
They even had a cassette to their credit at that time. Pritam joined a Bangla band, Chandrabindoo. Pritam later formed the band Metro with James, Suhail, Soham, and Eric while filming Life in a Metro.
Career
Pre-Bollywood
After completing his sound engineering course at FTII Pune, Chakraborty came to Mumbai in 1997. He started composing ad jingles, where he met other budding artists such as Shantanu Moitra, Rajkumar Hirani, Sanjay Gadhvi, and Jeet Gannguli.
Pritam composed renowned jingles for brands like Santro, Emami, McDonald\\\’s, Head & Shoulders, Thums Up, Limca, and Complan and composed title tracks for TV serials such as Astitva, Kkavyanjali, Ye Meri Life Hai, Remix, Kashmeer, Miilee, and Dil Kare.
Early Bollywood career (with Jeet Gannguli)
Pritam got his first break for Tere Liye (released in December 2001). Though the music was well received, the film missed the mark.
In 2002, the Jeet-Pritam duo once again composed music for Yash Raj Films\\\’ Mere Yaar Ki Shaadi Hai. All the songs from that movie were chartbusters. Soon after, over some misunderstanding, Jeet decided to split, and the partners went their separate ways.
Solo career
Pritam\\\’s compositions were noted for their ability to blend Indian classical music with western styles. His compositions for Gadhvi\\\’s second movie, Dhoom, were a runaway hit.
The title track of Dhoom in two versions, Hindi (by Sunidhi Chauhan) and English (by Tata Young), broke geographic barriers, becoming popular in pubs in the UK, USA, and East Asia, and winning him a Zee Cine Award for Best Track of the Year. He received two nominations for Dhoom.
He followed this up with compositions for films like Ajab Prem Ki Ghazab Kahani, Race, Kismat Konnection, Jannat, Gangster, and Dhoom 2. His compositions for Anurag Basu\\\’s Life in a Metro garnered him very positive reviews.
He formed a band called Metro with Suhail Kaul, Sohu\\\’s pet name Chakraborty, Eric Pillai, and Bangladeshi singer James for the movie.
He won his second Zee Cine Award for \\\”Best Track of the Year\\\” for the song \\\”Mauja Hi Mauja\\\” from \\\”Jab We Met\\\” by Imtiaz Ali.
Jab We Met won him his first Apsara Award for Best Music Director. He composed for two more Imtiaz Ali films, \\\”Love Aaj Kal\\\” and \\\”Cocaine,\\\” which were critically and commercially successful.
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His Sufi songs for the 2010 movie Once Upon a Time in Mumbaai were immensely popular with the masses, and songs like \\\”Pee loon\\\” and \\\”Tum Jo Aaye\\\” were declared chartbusters.
He teamed up again with Mahesh Bhatt and Vishesh Films for the music of Crook, from which the song \\\”Mere Bina\\\” got instant recognition with the public.
His foot-tapping numbers for Rohit Shetty\\\’s Golmaal 3 were also equally successful. In 2011, he got to work for Salman Khan\\\’s Ready and Bodyguard. He recreated the famous 1971 song \\\”Dum Maro Dum\\\” for Ramesh Sippy\\\’s 2011 movie of the same name.
He then composed for the romance Mausam, which had a strong Punjabi influence. The songs were phenomenal hits in Northern India, with \\\”Rabba Main To Mar Gaya Oye\\\” being a rage among people.
In 2012, he composed several successful songs for films like Players, Agent Vinod, Jannat 2, and Vidhu Vinod Chopra’s Ferrari Ki Sawaari, where he worked with Rajkumar Hirani.
Later that year, he scored the music for Barfi!, which won him two Filmfare Awards. Barfi is considered to be one of the most critically acclaimed soundtrack albums of his career.
By 2013, his list included Race 2, Murder 3, Yeh Jawaani Hai Deewani, Dhoom 3, and Once Upon a Time in Mumbai: Dobaara, which was his 100th movie as a music director in Bollywood.
He started 2014 with compositions for Yaariyan, Shaadi Ke Side Effects, and Holiday: A Soldier Is Never Off Duty. He then took a break in 2014.
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He marked his return with three successful albums in 2015: Kabir Khan\\\’s Bajrangi Bhaijaan and Phantom and Rohit Shetty\\\’s Dilwale, for which he was nominated for Filmfare awards.
The song, \\\”Gerua,\\\” from Dilwale directly opened at the No. 1 position on the Radio Mirchi charts and became the first Bollywood song to cross 100 million views on YouTube in the shortest duration ever.
It also ranked in the top slot in places like Malaysia, Oman, Sri Lanka, and Bahrain. In 2016, he appeared as a guest composer and composed the song \\\”Itni Si Baat Hai\\\” for Azhar; the album\\\’s other composers were Amaal Mallik and Dj Chetas.
He also composed the whole soundtracks for Dishoom, Ae Dil Hai Mushkil, and Dangal. In 2017, he composed the soundtracks of Jagga Jasoos, Raabta along with Sohrabuddin, Sourav Roy and JAM8, Tubelight, and Jab Harry Met Sejal along with Diplo.
In 2019, he will compose songs for Kalank and produce the music for Brahmastra. The film is scheduled for 2020.
Musical style
Pritam has composed and covered some popular songs in a variety of genres, including rock (Life in a Metro), sufi (Once Upon a Time in Mumbaai), and even ghazals (Barfi).
His musical style is mainly characterized as a delicate fusion of Indian classical music with contemporary undertones.
Allegations of plagiarism
Pritam has been accused of plagiarising numerous songs since the start of his film music career.Hits such as \\\”Pehli Nazar Mein\\\” were plagiarised from the Korean song \\\”Sarang Hae Yo\\\” by Kim Hyung Su (2005).
His critically acclaimed soundtrack, Ae Dil Hai Mushkil, also faced allegations of plagiarism as the guitar riff of the song \\\”Bulleya\\\” was lifted from the Papa Roach song \\\”Last Resort.\\\”
Rolling Stone India says Indian music plagiarism tracking site www.itwofs.com alleges 52 instances between 2004 and 2010 where Pritam\\\’s songs are said to be \\\”lifted,\\\” \\\”copied,\\\” \\\”plagiarized,\\\” or \\\”similar\\\” to those of tunes by other composers.
Who range from Arab and East Asian artists (such as Ihab Tawfik, Yuri Mrakadi, and Kim Hyung-sub) to Western musicians like Boney M. and Damien Rice.
\\\”I made mistakes at first,\\\” Pritam admitted in an interview with the Hindustan Times about his plagiarism charges.
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Besides the Contact details here we provide the different social media account of Manager like her Facebook, Instagram, and Twitter handle, etc. Fans can stay connected to know more about her. Fans can also send messages, feedbacks, comments, and reviews to Manager with the help of her social accounts.
- Pritam\\\’s Instagram Handle: link
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