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Shilpa Rao (born Apeksha Rao on April 11, 1984) is a Jamshedpur-born and raised Indian singer.aShe completed her postgraduate degree in applied statistics from St. Xavier\\\’s College, Mumbai, before working as a jingle singer for three years.
During her college days, Mithoon offered her the chance to record the song \\\”Javeda Zindagi\\\” from Anwar (2007), making her Bollywood debut. \\\”Javeda Zindagi\\\” is one of the most popular songs of 2007.
Shilpa Rao rose to widespread prominence with the releases of Woh Ajnabi from \\\”The Train\\\” (2007) and \\\”Khuda Jaane\\\” from \\\”Bachna Ae Haseeno\\\” (2008). She was nominated for the Best Female Playback Singer award for the song at the 54th Filmfare Awards.
The following year, she collaborated with Ilaiyaraaja for Paa (2009), where she performed the song \\\”Udi udi Ittefaq Se,\\\” for which she received another nomination in the same category during the 55th Filmfare Awards ceremony.
In 2012, Rao teamed up with A.R. Rahman and came up with the song \\\”Ishq Shava\\\” from Jab Tak Hai Jaan, which was a commercial success, followed by the Pritam-composed \\\”Malang\\\” from Dhoom 3 (2013) and Vishal-Shekar\\\’s \\\”Meherbaan\\\” in Bang Bang! (2014).
Rao\\\’s collaborations with Amit Trivedi were particularly described as \\\”delightful hearings,\\\” with songs like \\\”Manmarziyan\\\” from Lootera (2013) being critically acclaimed.
She\\\’s the second and last musician from India to get a chance to sing in Coke Studio Pakistan with the song \\\”Paar Chanaa De\\\” (2016) and received praise for singing the song \\\”Aaj Jaane Ki Zid Na Karo\\\” from the deluxe edition of the Ae Dil Hai Mushkil soundtrack (2016).
Shilpa Rao is particularly known in the media for trying new styles in her songs and singing in different genres. Rao, who credits her father as her greatest musical inspiration, has donated to a variety of charitable organizations.
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Early life
Rao was born in Jamshedpur on April 11, 1984, as Apeksha Rao, but her name was later changed to Shilpa Rao.According to her, she relates more to the name Shilpa since the name has \\\”to do with art.\\\”
She started singing while she was a kid, tutored and instructed by her father, S. Venkat Rao, who holds a degree in music. He taught Rao to understand the \\\”nuances\\\” of different ragas: \\\”His method of teaching was casual and at the same time very effective because it was designed to pique my interest.\\\”
For her education, Rao went to Little Flower School and Loyola School, Jamshedpur, where she was part of the choir group in school. In 1997, she visited Mumbai along with her family to pursue a postgraduate diploma in statistics at the University of Mumbai.
Rao was inspired to become a singer after meeting Hariharan at the age of 13, and began training under Ustad Ghulam Mustafa Khan, as Hariharan insisted.Initially, she found herself struggling with \\\”finding references\\\” and meeting music composers since she was not \\\”so active\\\” in social networking media at the time.
About her early days in the city, Rao said: \\\”Jamshedpur is home for me, but Mumbai, with the people, the place, the pace, everything, has made me a more patient person and a more hardworking artist than I could ever be.\\\”
In 2001, she began performing live with Hariharan at different venues, subsequently winning a national-level talent hunt in New Delhi. Shankar Mahadevan—one of the judges in the contest—asked her to settle in Mumbai.
In 2004, she shifted to Mumbai and completed a postgraduate degree in applied statistics from St. Xavier\\\’s College, Mumbai. Mahadevan introduced Rao to a few people who assisted her in learning to sing jingles.
Rao mentioned that singing jingles was \\\”perhaps the best way\\\” to start in Mumbai, as it helped her make the best contacts in the studios. She worked as a jingle singer for three years and established a life of her own. She sang songs for products such as Cadbury\\\’s Munch, Sunsilk, Anchor Gel, and No Marks.
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Career
2007–08: Career Beginnings and Bachna Ae Haseeno
Shilpa Rao looking at the camera
Rao at a press conference to promote the Salim–Sulaiman concert, 2010
While Rao was studying at college, she met with Mithoon, who called her for the recording of the song \\\”Tose Naina\\\” by Anwar (2007).
\\\”This song is extremely close to my heart and has taught me what the thrill and gratitude of music is and can be,\\\” Rao said of her \\\”most innocent rendition.\\\”
Though Rao credits \\\”Tose Naina\\\” as her career debut song, the soundtrack of the 2005 film Ek Ajnabee has a semi-instrumental track titled \\\”Stranger On The Prowl\\\” that has Rao\\\’s alap incorporated within it.
She collaborated with Mithoon on two other projects during the year: Aggar and The Train. Though \\\”Sehra\\\” from the former met with negative reactions from music critics, both \\\”Woh Ajnabee\\\” and \\\”Teri Tamanna\\\” from the latter were well received, with Raja Sen from Rediff.com praising Rao\\\’s \\\”strong vocals\\\” in particular.
During the filming of Salaam-e-Ishq, music composer Shankar Mahadevan of the Shankar-Ehsaan-Loy trio suggested Rao\\\’s name to director Nikhil Advani, which resulted in the song \\\”Saiyaan Re.\\\”Sukanya Verma, who praised Rao\\\’s \\\”perfectly impish delivery\\\” of the song, wrote: \\\”Despite Shankar Mahadevan\\\’s dynamic presence, [Rao], to watch out for, is never once intimidated.\\\”
She again teamed up with Shankar–Ehsaan–Loy for the Hindi version of the track \\\”All for One\\\” from the soundtrack of High School Musical 2.
Rao\\\’s first release of 2008 came with a Raghav Sachar-composed remix version of \\\”Gup Chup\\\” from One Two Three, followed by \\\”Ek Lau\\\” from Aamir, composed by Amit Trivedi.
According to Rao, \\\”Ek Lau\\\” was a song of \\\”hope for many people for the 11/26 Mumbai attacks.\\\” She affirmed that the song will inspire people and picked \\\”Ek Lau\\\” as one of the \\\”few compositions\\\” that are \\\”close\\\” to her.
Apart from rendering \\\”Main Sajda\\\” for Anu Malik in Good Luck!, she was heard in a \\\”faint alaap\\\” at the beginning of the song \\\”Koi Na Jaane\\\” from Hijack, along with KK. Earlier in the year, the two collaborated on Vishal-Shekhar\\\’s \\\”Khuda Jaane\\\” from Bachna Ae Haseeno.
Rao, calling the song a \\\”timeless classic,\\\” felt it was beautifully composed and written. She mentioned that she feels \\\”fortunate\\\” to be a part of the song. It earned her her first nomination for Best Female Playback Singer at the Filmfare Awards.
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2009–12: Paa and Jab Tak Hai Jaan
Rao, a friend of music composer Amit Trivedi, introduced him to Anurag Kashyap, director of the film Dev.D. (2009), who was searching for a new composer with a \\\”distinct vision\\\” for his film. The song, \\\”Dhol Yaara Dhol,\\\” from the soundtrack of the film was recorded three years ago \\\”free of charge.\\\”
She was next heard in the Piyush Mishra-composed Gulaal, where she performed the track \\\”Aisi Sazaa.\\\”
Sen from Rediff.com credited Rao\\\’s \\\”distinctively dulcet tones\\\” for making the song a memorable track. After recording \\\”Manzaraat\\\” from Sikandar, Rao performed the track \\\”Mudi Mudi Ittefaq Se\\\” for Ilaiyaraaja\\\’s Paa.
She described the song as the \\\”most difficult experience\\\” and believed that the lyrics and \\\”musical bounces\\\” in the song were a \\\”test\\\” in proving her versatility. The song garnered a positive response from critics; Chandrima Pal from Rediff.com picked the track as the \\\”most significant song of the album.\\\”
The soundtrack album had another track titled \\\”Udi Udi Ittefaq Se\\\” by Rao, with slight variations in the arrangements and lyrics. \\\”Mudi Mudi Ittefaq Se\\\” garnered her a second Filmfare Award nomination in the Best Female Singer category.
Shilpa Rao looks at the camera in a maroon dress.
Rao at the Hindustan Times\\\’ Brunch Dialogues, 2012
In 2010, Rao collaborated with Pritam for the first time and performed \\\”Ittefaq Tu Nahin\\\” for Mallika and \\\”Dil Le Jaa\\\” for Toh Baat Pakki! She again teamed up with Trivedi for Admissions Open and Vishal–Shekhar for Anjaana Anjaani.
Though her previous releases during the year received mixed responses from critics, \\\”I Feel Good\\\” and \\\”Anjaana Anjaani\\\” from the latter were positively received; Joginder Tuteja from Bollywood Hungama ascribed the \\\”beauty of the songs\\\” to Rao for holding down the fort and giving \\\”good company\\\” to her co-singers.
She did playback for Bappi Lahiri in \\\”Ankhiya Na Maar\\\” of Apartment and performed two tracks for Lahore: Piyush Mishra\\\’s Sufi song \\\”O Re Bande\\\” and M.M. Kreem\\\’s Punjabi-flavoured \\\”Rang De.\\\”
The Times of India appraised the work of Rao in Lahore, since she tried performing different tracks within the same album. In the year, Rao made her Tamil music debut with the song \\\”Oru Maalai Neram\\\” from Yuvan Shankar Raja\\\’s Naan Mahaan Alla, along with Javed Ali.
Rao\\\’s third collaboration with Pritam came with the song \\\”Allah Maaf Kare\\\” from Desi Boyz (2011). She lent her voice for Trivedi in \\\”Yeh Pal\\\” from No One Killed Jessica, where NDTV noted that the song is \\\”effectively voiced\\\” by Rao.
In the same year, she records \\\”Jazba\\\” from Ladies vs. Ricky Bahl, her first collaboration with Salim-Sulaiman. Rao\\\’s vocals in the energetic track were critically acclaimed; Vivek Warrier from Koimoi declared that her vocals are \\\”refreshing\\\” and \\\”have great presence.\\\”
During the year, she teamed up with Raghu Dixit as the composer and Ash King as the co-singer in \\\”Uh-Oh Uh-Oh\\\” from Mujhse Fraaandship Karoge. Rao collaborated with lyricist Neelesh Misra and composer Amartya Rahut and formed the band Nine, which works for the traditional Indian craft of storytelling.
During the year, they released their debut album, Rewind, consisting of songs and storytelling put together with a narrative. Besides, Rao appeared in several TV series, including MTV Unplugged and The Dewarists, where she performed acoustic versions of some of her previously released songs for the former and the song \\\”I Believe\\\” with Parikrama and Agnee for the latter.
Rao considered MTV Unplugged \\\”very challenging\\\” to do since she had to create a totally different version of songs and \\\”present it to people who have heard it earlier and liked it.\\\”
After Ladies vs. Ricky Bahl, Rao worked again with Salim–Sulaiman for \\\”Jab Main Tumhare Saath Hun\\\” from Jodi Breakers (2012).
Tuteja, reviewing the song from Bollywood Hungama, perceived that she \\\”deserves to be heard much more often.\\\” Apart from rendering \\\”Yaariyaan\\\” in Cocktail, Rao teamed up with Trivedi in two other films, English Vinglish and Ek Main Aur Ekk Tu.
The title track and \\\”Gustakh Dil\\\” from the latter received positive reception; Jaspreet Pandohar from BBC Online regarded the title track as a \\\”likeable listen\\\” for Rao\\\’s \\\”warm Hinglish\\\” vocals. Tuteja, complimenting the \\\”charisma of her voice\\\” in the song \\\”Gustakh Dil,\\\” wrote: \\\”Her voice carries a certain depth and edge to it that always makes one wonder why she isn\\\’t brought behind the mic far more often.\\\”
The year concluded with Rao\\\’s collaboration with A.R. Rahman on the track \\\”Ishq Shava\\\” from Jab Tak Hai Jaan, which was a fusion of Arabic and techno sounds. Shivi from Koimoi declared that the song proves Rao\\\’s versatility as a singer.
2013–present: Lootera and Coke Studio Pakistan
After Rao\\\’s debut and The Train with Mithoon, the duo collaborated once again for 3G (2013), where she performed \\\”Khalbali\\\” alongside Arijit Singh.
She was part of the song \\\”Apna Bombay Talkies\\\” from Bombay Talkies, which celebrated the 100th year of Indian cinema and the beginning of a new era in modern cinema. In the song, the singers recorded for actors for whom they generally do the playback singing, and Rao dubs for Sonam Kapoor and Deepika Padukone.
She next appeared, along with Sreeram Chandra, in the Pritam-composed song \\\”Subhanallah\\\” from Yeh Jawaani Hai Deewani. Her next release, \\\”Manmarziyan,\\\” from Trivedi\\\’s Lootera, was widely acclaimed by critics; while Filmfare\\\’s Devesh Sharma complimented Rao\\\’s \\\”wistful rendering\\\” in the song, Mohar Basu from Koimoi mentioned that she is \\\”flawless\\\” in her is \\\”flaw.
Her last release of the year was Pritam\\\’s \\\”Malang\\\” from Dhoom 3 along with Siddharth Mahadevan. According to Rao, \\\”Malang\\\” is unique and sets itself apart from other tracks because of the blend of \\\”high energy and a Sufi touch.\\\”
Rao\\\’s first release of 2014 was Soumik Sen\\\’s \\\”Gulaabi\\\” from Gulaab Gang , followed by Vishal–Shekhar\\\’s \\\”Meherbaan\\\” from Bang Bang! 2015 began with Bobby-Imran\\\’s composition \\\”Thode Se Hum\\\” from Badmashiyaan.
According to The Times of India, Rao rendered a \\\”quieter female version\\\” of the song with as much \\\”soulfulness\\\” as Mohit Chauhan does in his version.
Similar was the case in her next release, the reprise version of \\\”Le Chal Mujhe\\\” from NH10, where she tried a \\\”low octave\\\” kind of vocal texture for the song. Originally recorded as a duet between Chauhan, it was later released as a solo by the two, and both versions received positive reviews from critics.
Rucha Sharma from Daily News and Analysis affirmed that Rao, in her version, \\\”managed to outshine the two most sought-after singers, Chauhan and Singh.\\\”
In 2016, Rao became the second Indian singer after Sharmistha Chatterjee, who appeared with Mekaal Hasan Band, to have the honour of singing in the critically acclaimed musical show Coke Studio Pakistan.
Rao made her debut with the folk song \\\”Paar Chanaa De,\\\” which aired in the fourth episode of the ninth season. Composed by the band Noori, the song narrates the story of a folktale, Sohni Mahiwal.
Rao described the song as \\\”a theatrical saga\\\” because the song has emotion, anxiousness, longing to meet your loved one, and hope. \\\”It\\\’s a folk song with very powerful lyrics.\\\”
Upon release, \\\”Paar Chanaa De\\\” received positive reviews. Srikanth Prabhu of The Express Tribune said that the song is \\\”very different and gracing perfection in its own way.\\\”
Sharing the experience, she said that \\\”Coke Studio Pakistan is a place where all the musicians are in an environment where they have their instruments, their space, and the freedom to choose anything and convey it to the people in their own style; it\\\’s very powerful.\\\”
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Shilpa Rao\\\’s Agent Personal Details
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Stars cannot openly share their contact details etc. for the sake of their privacy. But fans can follow them on their different social accounts to make contact with them.
Shilpa Rao\\\’s Social Media Profiles
Besides the Contact details here we provide the different social media account of Manager like her Facebook, Instagram, and Twitter handle, etc. Fans can stay connected to know more about her. Fans can also send messages, feedbacks, comments, and reviews to Manager with the help of her social accounts.
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