Sushma Shrestha Manager Contact Detail, Whatsapp/Phone Number, +91 9904708172, Mobile Number, Office No, Official Email Address, Personal Secretary Mobile Number, Mumbai Office address, Contact Number, PR WhatsApp Number, Booking Agent Website

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Poornima Shrestha (born September 6, 1960 as Sushma Shrestha) is an Indian playback singer. Starting as a child singer, she later reinvented herself as a leading playback singer in Bollywood during the 1990s.
She started her career as a child singer in Andaz (1971) under music director duo Shankar Jaikishan for the hit song \\\”Hai Na Bolo Bolo,\\\” alongside Mohammed Rafi and Suman Kalyanpur. 
Throughout her childhood, she then worked with music composers of the golden era, including Naushad, Madan Mohan, C. Ramchandra, Salil Choudhury, Anil Biswas, S.D. Burman, Kalyanji-Anandji, and Laxmikant–Pyarelal. 
Poornima formed a successful collaboration with R.D. Burman with such popular numbers as \\\”Tera Mujhse Hai Pehle\\\” from Aa Gale Lag Jaa (1973) and \\\”Kya Hua Tera Vada\\\” from Hum Kisise Kum Naheen (1977); both earned her nominations for the Filmfare Best Female Playback Award, making her the youngest nominee in the category at the age of 11.
She made a comeback as an adult singer when music director duo Anand–Milind collaborated with her for the superhit song \\\”Tu Tu Tara\\\” in Bol Radha Bol (1992). Their collaboration throughout the 1990s gave her a string of hits. 
She has also collaborated with many music directors in her four decades-long singing career, including Bappi Lahiri, Rajesh Roshan, M. S. Vishwanathan, Ravindra Jain, Anu Malik, Jatin–Lalit, Raamlaxman, Nadeem-Shravan, M.M. Kreem, Viju Shah, Anand Raj Anand, Nikhil-Vinay, Vishal-Shekhar, and Aadesh Shrivastava.
Apart from Hindi songs, Poornima has sung in many languages, including Bengali, Nepali, Marathi, Bhojpuri, Punjabi, Gujarati, Oriya, Rajasthani, Assamese, Haryanvi, Garhwali, and Arabic.
Apart from films, she has sung numerous non-film songs in various genres like Baal Geet (children\\\’s songs), Bhavgeet, Bhajan, Ghazal, Chutney, and Indipop.

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Personal life

Hailing from the Nepali Newar community, Poornima was born in Mumbai. Her father was music composer Bholanath Shrestha, who worked primarily with Hindi film music directors. He was from Kathmandu, Nepal, before settling in Kolkata and eventually in Mumbai. 
She lost her father on April 12, 1971, when she was barely 11 years old. In an interaction with a YouTube channel, she has admitted to \\\”almost giving up on her career for family.\\\” She has a son, Nishadh Chandra, who is a music composer.

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Career

She sang the hit \\\”Hai Na Bolo Bolo\\\” when she was just nine. She got her first break accidentally when Chandrakant Bhosle, a family friend and an assistant to Shankar-Jaikishan, recommended her name to Shankar. 
In spite of the prevailing custom of women playback singers singing for children, Shankar took upon himself the challenge of taking an unknown child to sing \\\”Hai Na Bolo Bolo\\\” for the film Andaz. 
Sushama recorded her first song on November 11, 1969, with Mohammed Rafi and Suman Kalyanpur. Rafi was very impressed by her singing. 
considered the first successful child singer in Hindi films. Sushma did a children\\\’s album called Bal Geet, which had the legendary S.Khale composing the songs and Shanta Shelke penning them. 
She sang four songs in it. The album proved to be a huge hit and gave immense exposure to Poornima, who surprised everybody by singing Marathi songs with ease. 
Her career was planned to be launched at a function organised by the Punjab Association by Raj Kapoor, Pran Singh, and others. Slated to perform on April 12, 1971, tragedy struck on April 11 when her father suffered a cardiac arrest and died. 
She was undaunted and was encouraged by family and friends. She gave a performance, which impressed many and enabled her to get a scholarship of Rs. 250 to study music. She has sung many super hit songs in her childhood: \\\”Tera Mujhse Hai Nata Koi,\\\” \\\”Jaane Tu Ya Jaane Na,\\\” and \\\”Yaadon Ki Baarat\\\” are a few. 
Poornima is the oldest singer in terms of experience in the industry and can boast of having worked with Naushad, Madan Mohan, C. Ramchandra, Anil Biswas, S. D. Burman, and Shankar Jaikishan. 
Music director R.D. Burman gave her some of the most memorable songs of her career, including \\\”Ek Din Bik Jayega Mati Ki Mol,\\\”  \\\”Yaadoon Ki Baaraat,\\\”  \\\”Teri Hai Zameen Tera Aasman,\\\”  \\\”Tera Mujhse Hai Pehle,\\\” and \\\”Kya Hua Tera Vada.\\\”  

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The latter two earned her nominations for the Filmfare Best Female Playback Award, making her the youngest nominee in the category at the age of 11. 
She has acknowledged his contribution to her singing career:
\\\”R.D. Burman was my guru, and whatever I know about singing is thanks to him.\\\”
A popular child singer through the 1970s and early 1980s, she struggled to break through as an adult singer during the mid-80s. Her marriage also put a temporary halt to her singing career with regard to films as she stopped doing stage shows, which promptly dried up the offers for playback. 
Her final song as Sushma Shreshtha was \\\”Itni Shakti Humein Dena Data\\\” in N. Chandra\\\’s Ankush (along with main singer Pushpa Pagdhare, in the Hindi film Ankush filmed on Ashalata Wabgaonkar, Nana Patekar, Suhas Palshikar, and others).Jingles caught her attention, and the professionalism made her settle into a steady work schedule.
In the 1990s, Tips\\\’ music company approached her with an offer. Wanting to make a clean departure from the \\\”child prodigy\\\” image, they suggested a change of name and image. Sushma took the name Poornima. 
Her song \\\”Barsaat Mein Jab Aayega Saawan Ka Maheena\\\” from Maa was a hit. Few things changed until David Dhawan\\\’s Bol, Radha, Bol.
 \\\”Tu Tu Tu Tu Tara\\\” was nothing short of an anthem, and the remaining songs, which were successes as well, gave Poornima the opportunity to savour the success and adulation that had eluded her for so long. 
She continued her association with Dhawan; she went on to sing for all his No. 1 series, including Haseena Maan Jayegi and Biwi No. 1.
She has performed for a number of music directors, including Naushad, Madan Mohan, C. Ramchandra, Anil Biswas, S.D. Burman, Shankar Jaikishan, Kalyanji-Anandji, Chitragupt, Laxmikant-Pyarelal, Bappi Lahiri, Rajesh Roshan, M. S. Vishwanathan, Ravindra Jain, Anand-Milind, Anu MaShrestha has sung popular numbers like \\\”Channe Ke Khet Main\\\” from Anjaam.
\\\”Batti Na Bujha\\\” from Gopi Kishan (both 1994), \\\”Shaam Hain Dhuan Dhuan\\\” from Diljale (1996), \\\”Mr Lova Lova\\\” from Ishq (1999), and in a series of David Dhawan films like Coolie No. 1 (1995), Judwaa (1997), Hero No. 1 (1997), and Biwi No. 1 (1999), amongst others.
Sridevi, Jaya Prada, Juhi Chawla, Madhuri Dixit, Sarika, Manisha Koirala, Simi Garewal, Deepti Naval, Ramya Krishnan, Rambha, Sushmita Sen, Shilpa Shirodkar, Karishma Kapoor, Raveena Tandon, Kajol, Rani Mukherji, Madhu, Tabu, Preity Zinta, Preity Zint
Poornima was one of the top ten selling artists with her album Mera Dil Bole Piya Piya despite the lacklustre Indi-pop scene in the late 1990s.
Throughout the 1990s, Shrestha, along with Alka Yagnik and Kavita Krishnamurthy, were the most prolific playback singers for heroines.
No longer active in film playback singing, she is now doing stage shows in India and other parts of the world.

 

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Stars cannot openly share their contact details etc. for the sake of their privacy. But fans can follow them on their different social accounts to make contact with them.

Sushma Shrestha\\\’s Social Media Profiles

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  • Sushma Shrestha\\\’s Instagram Handle: link
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